I thoroughly enjoyed this interview with award-winning composer, Omar Thomas, about his new album, ‘We Will Know’, a monumental work of art that breathes new life into the word “movement”. Inspired by the popular civil rights protest song, “We Shall Overcome”, Omar has just gifted the (U.S.) LGBT civil rights movement with their very own soundtrack, one which is sure to spark powerful conversations about what it means to exist at the intersection of struggle, triumph, and history, as both black and gay.
One of my favorite African women artists, Shishani, has launched an IndieGoGo campaign to crowdfund her debut album, featuring her most popular singles, “Minority” and “Raining Words”. I rarely post about media that isn’t in the form of a review, but I’ve heard many of the tracks on the album after seeing her perform live in Namibia last year, I strongly recommend you give her music a listen.
Award-winning Namibian indie soul artist, Shishani, has just released the music video for her latest single, “Minority”, a catchy, upbeat, acoustic track that calls for freedom and equality for all people despite perceived differences. She recently sat down with me to chat about her rise to stardom, her thoughts on music in movements, and why she’s putting everything on the line now.
As a follow up to my last piece about how media can help facilitate “coming out” or facilitating important conversations about sexuality over the holidays, I’ve compiled a list 10 of my picks for books, film, and music created by queer people of color that would make excellent gifts! If you’re an ally who’s interested in learning more about the diverse landscape of LGBT (people of color), this list is a great starting point for you too. Enjoy.
African Women’s Organization Partners with Nigerian Artist NNEKA to Promote Women’s Rights Through the ArtsFebruary 17, 2012
On February 16th, 2012, Africa Women’s Development Fund out-doored NNEKA (one of my favorite Nigerian artists) as their first Ambassador of the Arts. NNEKA was born in Warri, Oil City in the Delta region of Nigeria at the height of its new found wealth in the mid 70s. Her lyrics reflect much of her history and life in Nigeria as well as her time spent in Western Europe. Her songs stress the issues of capitalism, poverty and war and are often loaded with moral and biblical messages and references, with some music commentators comparing her to Erykah Badu, Neneh Cherrynd Floetry. Women’s Rights and African Music = Magic.